They were so perfectly executed that they chilled and even repelled audiences 12 years ago, but they should be embraced now for their luminescent quality in Williams’ remarkable career. In 2002, Williams produced three films that inversed his image with Insomnia, Death to Smoochy, and One Hour Photo. Most especially is his consistently underrated and radically inimitable output from 2002, which saw the legendary entertainer turn all that warmth and goodwill from audiences on its head with a series of subversive showstoppers. Yet, as I have gone through the last 24 hours reflecting on this rich filmography-with a dizzying variety of other heartwarming characters from Williams’ Mork from Ork to even his brief flirtation with Shakespeare in Kenneth Branagh’s Hamlet-it seems the actor’s later work has gone overlooked. Universally described as warm and inspiring as his screen persona, Williams has induced a communal trip down memory lane for millions of film lovers to revisit his unforgettable dramatic works like Good Morning, Vietnam and Dead Poets Society-roles that were filled with the boundless empathy associated with the actor. Doubtfire, and that irrepressible Genie from Aladdin was also a profoundly moving actor who earned his Oscar for Good Will Hunting a million times over in a lifetime of revelatory performances. It was many years before I realized the Peter Pan, Mrs. A childhood favorite who influenced my formative years in profound ways while growing up in the 1990s, Williams’ presence felt as monumental in my household as a beloved family friend. For the last day, all I have been able to think about is Robin Williams.
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